After dusk, the artwork created by Peter Struycken in the colonnade beneath the Nieuwe Instituut (the former NAi) is unmissable. A different color palette appears every ten minutes on the 170-meter-long series of concrete pillars. A computer program ensures that the red, green, and blue lights display a constantly changing combination of primary and mixed colors. This lighting gives the passage a theatrical quality, making passersby in the evening appear as moving participants in the work. Peter Struycken was one of the first artists in the Netherlands to allow the computer to play a significant role in his creative process; he began doing so as early as 1969. He usually works with abstract patterns, structures, or installations. Light and color play a major role in this. He was one of the first artists to make large-scale contributions to buildings and the design of public spaces. The history of his commissions executed in Rotterdam proves that even robust works are vulnerable. Of the five Struyckens, three have already disappeared or are in severe disrepair. Vandalism, renovation, and changes in the function of a building or environment take their toll. The illuminated columns of the architecture palace have become such an iconic eye-catcher that the future of this 'light sculpture' seems guaranteed for the time being. For more information: Sculpture International Rotterdam.
Peter Struycken (The Hague, 1939) studied at the Royal Academy of Art in The Hague. Since the 1960s he has been active as a sculptor, painter, computer artist and monumental artist. He is one of the founders of the Arnhem School for Environmental Design. From 1964 to 1976, he headed a specially established environmental art department at the Arnhem Academy of Visual Arts. He has designed environmental artworks for the whole of the Netherlands; in Rotterdam include a walled outdoor space for the Erasmus Medical Center (now disappeared) and the illuminated arcade under Het Nieuwe Instituut. He also contributed to the discourse, was active in committees and designed related works, such as color palettes for clients. He is also successfully active in other artistic disciplines. In 1981, for example, he made the famous pixelated postage stamp of Queen Beatrix. The computer and the idea of a mathematical and external logic are always a common thread in his work.
Arcade illuminated by colored fluorescent lamps at Het Nieuwe Instituut
Materials
Neon
Dimensions
Length 170 m
years
1993
Client
Municipality of Rotterdam
Money source
Percentage regulation
Owner
The New Institute
Part of
About the artwork
After dusk, the artwork created by Peter Struycken in the colonnade beneath the Nieuwe Instituut (the former NAi) is unmissable. A different color palette appears every ten minutes on the 170-meter-long series of concrete pillars. A computer program ensures that the red, green, and blue lights display a constantly changing combination of primary and mixed colors. This lighting gives the passage a theatrical quality, making passersby in the evening appear as moving participants in the work. Peter Struycken was one of the first artists in the Netherlands to allow the computer to play a significant role in his creative process; he began doing so as early as 1969. He usually works with abstract patterns, structures, or installations. Light and color play a major role in this. He was one of the first artists to make large-scale contributions to buildings and the design of public spaces. The history of his commissions executed in Rotterdam proves that even robust works are vulnerable. Of the five Struyckens, three have already disappeared or are in severe disrepair. Vandalism, renovation, and changes in the function of a building or environment take their toll. The illuminated columns of the architecture palace have become such an iconic eye-catcher that the future of this 'light sculpture' seems guaranteed for the time being. For more information: Sculpture International Rotterdam.
Peter Struycken (The Hague, 1939) studied at the Royal Academy of Art in The Hague. Since the 1960s he has been active as a sculptor, painter, computer artist and monumental artist. He is one of the founders of the Arnhem School for Environmental Design. From 1964 to 1976, he headed a specially established environmental art department at the Arnhem Academy of Visual Arts. He has designed environmental artworks for the whole of the Netherlands; in Rotterdam include a walled outdoor space for the Erasmus Medical Center (now disappeared) and the illuminated arcade under Het Nieuwe Instituut. He also contributed to the discourse, was active in committees and designed related works, such as color palettes for clients. He is also successfully active in other artistic disciplines. In 1981, for example, he made the famous pixelated postage stamp of Queen Beatrix. The computer and the idea of a mathematical and external logic are always a common thread in his work.
Arcade illuminated by colored fluorescent lamps at Het Nieuwe Instituut
Materials
Neon
Dimensions
Length 170 m
years
1993
Client
Municipality of Rotterdam
Money source
Percentage regulation
Owner
The New Institute
Part of
Peter Struycken -
Untitled (1993)
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