Artist Peter Struycken was one of the pioneers of the Arnhem School as well as of environmental art. In the latter case, an artist did not leave behind a physical artwork, but instead created a design for a new environment together with the architect or landscape designer. In this way, the artist could consider himself an equal to the architect. In 1967, a modern design was created by municipal architect André van Stekelenburg for the third depot of the Municipal Archives on Robert Fruinstraat. The building was completed in 1970, featuring an environmental artwork by Struycken in the outdoor space. The work consists of a design of black and white lines and planes on the paving, the fencing, the facades, and the wooden fence. A bench on the patio of the top floor is also part of the design. The 1969 work has since deteriorated, but old photographs from the Rotterdam City Archives clearly show how the original design aligns with the architecture. The white facades flow into the white planes in Struycken's design. The window sections form black lines in the building, which in Struycken's design are extended into the paving, facades, and fences. An attempt was made to restore the environmental artwork, but the work is too damaged and costly to restore to its original state.
Peter Struycken (The Hague, 1939) studied at the Royal Academy of Art in The Hague. Since the 1960s he has been active as a sculptor, painter, computer artist and monumental artist. He is one of the founders of the Arnhem School for Environmental Design. From 1964 to 1976, he headed a specially established environmental art department at the Arnhem Academy of Visual Arts. He has designed environmental artworks for the whole of the Netherlands; in Rotterdam include a walled outdoor space for the Erasmus Medical Center (now disappeared) and the illuminated arcade under Het Nieuwe Instituut. He also contributed to the discourse, was active in committees and designed related works, such as color palettes for clients. He is also successfully active in other artistic disciplines. In 1981, for example, he made the famous pixelated postage stamp of Queen Beatrix. The computer and the idea of a mathematical and external logic are always a common thread in his work.
Design for the exterior by means of black / white lines and surfaces
Materials
Bricks, metal, paint
years
1969
Client
Municipality of Rotterdam
Recruitment
Project architect ir. AA Stekelenburg
Money source
Percentage regulation, involved construction assignment
Owner
Property owner
About the artwork
Artist Peter Struycken was one of the pioneers of the Arnhem School as well as of environmental art. In the latter case, an artist did not leave behind a physical artwork, but instead created a design for a new environment together with the architect or landscape designer. In this way, the artist could consider himself an equal to the architect. In 1967, a modern design was created by municipal architect André van Stekelenburg for the third depot of the Municipal Archives on Robert Fruinstraat. The building was completed in 1970, featuring an environmental artwork by Struycken in the outdoor space. The work consists of a design of black and white lines and planes on the paving, the fencing, the facades, and the wooden fence. A bench on the patio of the top floor is also part of the design. The 1969 work has since deteriorated, but old photographs from the Rotterdam City Archives clearly show how the original design aligns with the architecture. The white facades flow into the white planes in Struycken's design. The window sections form black lines in the building, which in Struycken's design are extended into the paving, facades, and fences. An attempt was made to restore the environmental artwork, but the work is too damaged and costly to restore to its original state.
Peter Struycken (The Hague, 1939) studied at the Royal Academy of Art in The Hague. Since the 1960s he has been active as a sculptor, painter, computer artist and monumental artist. He is one of the founders of the Arnhem School for Environmental Design. From 1964 to 1976, he headed a specially established environmental art department at the Arnhem Academy of Visual Arts. He has designed environmental artworks for the whole of the Netherlands; in Rotterdam include a walled outdoor space for the Erasmus Medical Center (now disappeared) and the illuminated arcade under Het Nieuwe Instituut. He also contributed to the discourse, was active in committees and designed related works, such as color palettes for clients. He is also successfully active in other artistic disciplines. In 1981, for example, he made the famous pixelated postage stamp of Queen Beatrix. The computer and the idea of a mathematical and external logic are always a common thread in his work.
Design for the exterior by means of black / white lines and surfaces
Materials
Bricks, metal, paint
years
1969
Client
Municipality of Rotterdam
Recruitment
Project architect ir. AA Stekelenburg
Money source
Percentage regulation, involved construction assignment
Owner
Property owner
Peter Struycken -
Untitled (1969)
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