This sculpture by sculptor Piet van Stuivenberg was commissioned by the Rotterdam Art Foundation after World War II and unveiled during "Opbouwdag" (Reconstruction Day) on May 19, 1950. The sculpture is connected to the reconstruction period and stood on the Weena at the entrance to the Bouwcentrum (Building Centre). This organization aimed to unite construction and housing in and outside the Netherlands to create a better environment for people and society. This sculpture was the first abstract sculpture to be installed in Rotterdam, marking the beginning of the government's deliberate involvement with art in public spaces. The sculpture is composed of five stacked, fanning shapes and carved from a single block of bluestone. Van Stuivenberg created the sculpture during a period when he was experimenting with abstract forms. He constructed it from free-form, organic shapes, which he appropriately drew from the reconstruction period: the shapes were inspired by the spiral staircase located in the Bouwcentrum. It's a sculpture that fits into the tradition of 20th-century sculpture. The work was placed on a temporary pedestal at the Gedempte Zalmhaven, but due to the construction of the Zalmhaven Tower, it was put into storage. A new location for the sculpture is being sought at its original location, the Bouwcentrum (Building Centre).
Piet van Stuivenberg (Schiedam, 1901 - 1988) has made a number of sculptures for the public space of Rotterdam and Schiedam as a stonemason, such as Dolle Jans Dream (a monument to Herman Heijermans) and a sculpture at the former Bouwcentrum. He attended evening classes at the Rotterdam Academy from 1921 to 1927 and made study trips to Brussels, London and Paris. Artworks by Van Stuivenberg are in the collection of the Stedelijk Museum Amsterdam, Museum Boijmans Van Beuningen, the Stedelijk Museum in Schiedam and in private collections. Van Stuivenberg started his career as a stonemason boy. As a sculptor he was initially influenced by expressionism, later he made geometric and sleek shapes, which increasingly tended to abstraction.
Spiral plastic made up of five stacked fanning forms
Materials
Stone
Dimensions
Height 2 m
years
1950
Client
Rotterdam Art Foundation (RKS)
Money source
RKS Fund
Owner
Municipality of Rotterdam
About the artwork
This sculpture by sculptor Piet van Stuivenberg was commissioned by the Rotterdam Art Foundation after World War II and unveiled during "Opbouwdag" (Reconstruction Day) on May 19, 1950. The sculpture is connected to the reconstruction period and stood on the Weena at the entrance to the Bouwcentrum (Building Centre). This organization aimed to unite construction and housing in and outside the Netherlands to create a better environment for people and society. This sculpture was the first abstract sculpture to be installed in Rotterdam, marking the beginning of the government's deliberate involvement with art in public spaces. The sculpture is composed of five stacked, fanning shapes and carved from a single block of bluestone. Van Stuivenberg created the sculpture during a period when he was experimenting with abstract forms. He constructed it from free-form, organic shapes, which he appropriately drew from the reconstruction period: the shapes were inspired by the spiral staircase located in the Bouwcentrum. It's a sculpture that fits into the tradition of 20th-century sculpture. The work was placed on a temporary pedestal at the Gedempte Zalmhaven, but due to the construction of the Zalmhaven Tower, it was put into storage. A new location for the sculpture is being sought at its original location, the Bouwcentrum (Building Centre).
Piet van Stuivenberg (Schiedam, 1901 - 1988) has made a number of sculptures for the public space of Rotterdam and Schiedam as a stonemason, such as Dolle Jans Dream (a monument to Herman Heijermans) and a sculpture at the former Bouwcentrum. He attended evening classes at the Rotterdam Academy from 1921 to 1927 and made study trips to Brussels, London and Paris. Artworks by Van Stuivenberg are in the collection of the Stedelijk Museum Amsterdam, Museum Boijmans Van Beuningen, the Stedelijk Museum in Schiedam and in private collections. Van Stuivenberg started his career as a stonemason boy. As a sculptor he was initially influenced by expressionism, later he made geometric and sleek shapes, which increasingly tended to abstraction.
Spiral plastic made up of five stacked fanning forms
Materials
Stone
Dimensions
Height 2 m
years
1950
Client
Rotterdam Art Foundation (RKS)
Money source
RKS Fund
Owner
Municipality of Rotterdam
Piet van Stuivenberg -
Untitled (1950)
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