La grande musicienne (1938) Henri Laurens

photo Otto Snoek
About the artwork

This statue is the second oldest sculpture on the sculpture terrace. Henri Laurens fused his motif of the female figure with a lyre-like musical instrument and combined it with a spiral shape. On the back of the bronze there is a deep groove running the entire length of the statue, the spine. The zigzag shape of the spiral is most prominent at the front. Convex shapes flow into each other spirally and smoothly and together form an extremely elegantly modeled 'Great musician '. Laurens's early work from 1915 is considered to be Cubism. In the course of the 20s he made more and more use of convex shapes and the female nude became his main theme. It was not until the 30s that Laurens made images of the format La grande musicienne. The municipality of Rotterdam purchased the statue in 1963. Until 1966 the statue remained under the care of Museum Boijmans Van Beuningen. After that the statue was sheltered for a long time on the patio of the Doelen. When the statue was placed in front of the concert hall, it mainly served as a bicycle shed and collection point for litter. Placement in 2001 on the Image Terrace gives the image, a highlight in Laurens' work, the right attention and appreciation. For more information: Sculpture International Rotterdam

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About the artist

When Parisian artist Henri Laurens (Paris, 1995 - 1954) met Georges Braque in 1911, he joined his cubist style. He made collages, reliefs and sculptures from polychrome wood, plaster and metal, in which he tried to find a spatial form for the paper collages of cubists such as Braque and Picasso. From 1921 onwards his work becomes more organic and the woman becomes his main theme. With the increased appreciation for his work in the late 1930s, he was able to afford to work in a larger format in bronze. He also illustrated books, including poetry collections from friends. In 1949 and 1962 his work was shown at a retrospective exhibition at the Stedelijk Museum in Amsterdam. A year before his death in 1953, he received the prize for sculpture at the São Paolo Biennale.

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