Weather vane park (2013) Annelies Dijkman
In 2007, visual artist Annelies Dijkman was commissioned to create a work of art in public space for the Community School in Nesselande. In the summer of 2013 it became Weather vane park delivered. The artist's idea was to (symbolically) connect the two branches of the Community School by means of a work of art. Because the Nesselande polder, which has been converted into a residential area, is windy, Dijkman took the wind as the starting point for the artwork. So she soon arrived at the weather vane. Ultimately, the idea for the artwork arose: 7 golden weather vanes in a rugged grassland. The location of the work of art is a skeg-shaped park surrounded by high, black fences of the hockey fields, the three-storey school building, the day care center and on the other side the above-ground metro with a number of high-voltage pylons behind it. A wide environment of a scale that almost looks industrial, but also anonymous. With this design, the artist wanted to give the school an 'address', a work of art that adds intimacy to the large scale and makes the place recognizable. Dijkman: “You feel the wind, you look up and then you see the cock turning in the tower. Old-fashioned, classic, the weather vane. ” The seven weather vanes are placed in the park. Long white masts where golden bird silhouettes indicate the direction of the wind. They are abstractions of migratory birds that occur around Nesselande: the barn swallow, rough-legged hawk, wild swan, nightingale, spoonbill, pied sandpiper and golden-eyed diver. The masts are located between tall ornamental grasses, which are also planted in the Rietveld Park under the metro line. Two paths run between the masts, which indicate the four directions of the compass. In the tiles are inscribed names of the wind, as it is called in other countries, such as chocolatero, tramontana or mistral. Because the wind blows everywhere.
Annelies Dijkman (Heemskerk, 1958) attended the Gerrit Rietveld Academy and the Rijksacademie in Amsterdam and settled in Amsterdam and Leiden as a sculptor, environmental and conceptual artist. Since the 1990s, she has mainly worked in public spaces throughout the country and responds to characteristics of locations such as parks, schoolyard and the sea.